![]() ![]() Clear to us as viewers, of course, though not to rat-a-tat reporter Florence Dempsey (Glenda Farrell), who spends the whole film speaking like she’s stuck on fast forward, flinging quips at her editor (Frank McHugh), in that crazy, flirty way made popular and done better in subsequent screwball comedies. Yes, it’s a mystery, though one of those mysteries where it’s absolutely clear from the get-go who exactly is behind the whole scheme. In between though, he offers up something close to regret at the loss of his talent (and inability to use his hands for the thing he was best at), but in many ways it’s a fairly straightforward villainous role seen in plenty of pre-Code horrors.Ĭalling it a horror isn’t strictly accurate – the clue’s in the title, after all. He’s good, too, with something close to a proper story arc and everything – beginning as the idealistic artist who won’t sacrifice his vision in pursuit of a quick buck, to the murderous nutjob who doesn’t think twice about trying to turn Fay Wray into a mannequin. I didn’t really have any recollection of watching this movie heading into it, but after seeing Lionel Atwill pop up again and again in my recent revisit to the Frankenstein franchise, I was curious to see him go full villain. But can she get the story before her friend Charlotte (Fay Wray), becomes Igor’s latest exhibit? Twelve years later, Igor – now unable to sculpt due to his injuries – opens a wax museum in New York, and as corpses begin to go missing from the local morgue, reporter Florence Dempsey (Glenda Farrell), starts to suspect there’s a reason his sculptures look so lifelike. Master sculptor Ivan Igor (Lionel Atwill), runs a small wax museum in London funded by his partner Joe Worth (Edwin Maxwell), until Worth burns it to the ground and leaves him for dead. If nothing else, it’ll be interesting to see the same story told twice a few years apart – as I recently did with Dr Jekyll And Mr Hyde here and here – see how they compare.Īs always, the Late Review will go into detail about the film from start to finish, so if you’re looking to avoid potential spoilers, scroll down to the next heading. Still, I’m sure I’ve watched worse films (and worse transfers), and I’m keen to revisit this one before seeing the Vincent Price version for the first time. Remastered, in this case, appears to mean everything looks a strange pastel sort of pink colour and muddies the picture slightly – I guess that’s the two-colour Technicolor of the day, but it looks like a black and white film that’s been colourised to me. Recently though, I treated myself to a copy of House Of Wax on Blu-Ray (which you’ll be able to read about here shortly), and discovered that a remastered version was included in the box set. I’ve actually got two copies of this – one, a DVD passed on by Late Reviewer contributor and Michael Curtiz fan John Featherstone ( yes, another one), which I watched a couple of years ago. Thanks to the meticulous new restoration presented on this disc, the film can now be experienced as intended.“I don’t know what he is, but he makes Frankenstein look like a lily!” Why Did I Get This? ![]() Filmed in the early Two-Color Technicolor® process, The Mystery of the Wax Museum was considered a lost film for decades, until a well-worn print was discovered nearly 50 years ago. ![]() Glenda Farrell plays a quintessential wisecracking newspaper reporter, and noted actor Lionel Atwill is the deranged artist who loses his studio to a fire set by his partner. Is there a connection? But of course! In this horror classic, Fay Wray (King Kong) stars as the intended next victim of a mad wax sculptor obsessed with her resemblance to one of his prior creations. Rode Audio Commentary by Scott MacQueen, head of preservation, UCLA Film & Television Archive Restoration Featuretteīodies are mysteriously disappearing all over town, and a new wax museum has just opened. Special Features: Documentary "Remembering Fay Wray" Audio Commentary by Author.Film Historian Alan K. ORIGINAL ASPECT RATIO - 1.37:1 4 X 3 FULL FRAME Funding provided by the George Lucas Family FoundationĪudio Specs MONO - English, DTS HD-Master Audio 2.0 - English Restored by UCLA Film & Television Archive and The Film Foundation in association with Warner Bros. Coming next month from Warner Archive Collection: ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |